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28068 vote

2003

Satoshi Kon

Summary=On Christmas Eve, three homeless people living on the streets of Tokyo find a newborn baby among the trash and set out to find its parents

92 Minutes

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From Satoshi Kon, the director of Millennium Actress and Perfect Blue, comes the intriguing tale of three homeless people who discover an abandoned baby while foraging through some trash. They keep it overnight, and the following morning decide to track down the baby's parents using a single clue they found. Naturally, they encounter several interesting adventures along the way before reaching the compelling climax.
The story is fresh and exciting, infused with adventure, comedy, and drama. By the end of the film, you really feel a connection with the characters, and only truly good film-making can accomplish that. The dialog is witty and fun, but serious when it needs to be. With such an original storyline, how could a viewer not be pulled in? Of course, the success of this film is really on the shoulders of its animators. And what an amazing job they did! The animation is bold and unique. It captures the beauty and adventure of Japan's capital city with ease. The way the animation seemed so real and lifelike was marvelous, adding another element that only furthered my enjoyment.
The voice acting was also great. Sometimes the voices on anime movies or TV shows can get really irritating, but not in "Tokyo Godfathers. The three main characters are voiced by Toru Emori, Aya Okamoto, and Yoshiaki Umegaki, and they really know what they're doing. Each three use their own talents to the max, and their styles and voices are all so different, that it creates a perfect contrast.
"Tokyo Godfathers" is a near-perfect film. The story is heartwarming, fun, and at times, hilarious. The characters are easy to relate to, but very real. The animation is spectacular, and the acting great. This is a film that I highly recommend to anime fanatics, and anyone else that just loves good animation. Sure its far different from any Disney creation, but it is still a masterpiece in its own right.

 

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Ɲ京ゴッドフã‚ーã‚ーズ Movie stream of consciousness. Great humor and great ideas (especially using the haiku's. i laughed my head off. as some reviewer said, you either like it, or dislike it. i liked it, obviously. one small advice: don't expect a down-to-earth realism here; this is an anime and shouldn't be regarded as a film, but that's what makes it so tasty and delicate. the three main characters are pursuing a somewhat parodic, but nonetheless "serious" quest, trying to locate the mother of an abandoned baby they found in the street. it's a cheesy story, but it's a self-acknowledged (and highly laughable) cheesiness.
10 out of 10.

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